Showing posts with label contests. Show all posts
Showing posts with label contests. Show all posts

Wednesday, December 12, 2012

#Pitchwars: What I learned from being a mentor.

So today Brenda announced the teams and alternates. And most of the interwebs goes back to their lives while the mentors begins digging into their top picks.
But can we take a minute? Pull yourself away from the chocolate consolation prize and unfollowing mentors, and let's talk about what we've learned in the past week.

I was stunned by how good the majority of applications were. Sure there were a lot--which was also a little surprising, but I expected some to be not ready for querying. And for the vast majority, that wasn't true. There were some really talented people out there.

The excitement from the participants -you guys were amazing. Just so full of nerves and laughter and willingness to learn. It was so much fun connecting with y'all--and the dude who wrote that poem deserves a chocolate cake.

But how 'bout useful stuff, right?


  • Saying  'this isn't right for me' sucks almost as much as hearing it. I was told during the past two weeks that it's just a false platitude, and I'd like to address that--it's not. There were several applications that were good--query ready, nice premise, well written pages, consice pitch. But for whatever reason, it just wasn't my cup of tea. I hated saying that, knowing that it wasn't helpful. But there's something to learn here, y'all. It's that what you write--it won't be for everyone. And that's okay. What's not right for me, could be JUST right for someone else. (Point in fact--one of mine was a pick for another mentor.)
  • A form letter? It's not fun, but I totally understand it. I won't discuss numbers, but lets say this: the sheer amount of applications in some mentors folders rivaled the query numbers I've heard from agents. That's a lot of 'this is why I quit readings' (especially when you consider that each of those takes a good five-ten minutes). No one likes form rejections. But after writing my own personalized passes--and I was one of the mentors who did--I totally understand why agents use them. 
  • Genre. Oh my gracious. Little tough love, y'all. KNOW. YOUR. GENRE. Fiction isn't a genre. Thriller/Fantasy/Sci-fi is not a genre (it's three). Conceptual retelling of Abraham Lincoln's biography? IS. NOT. A GENRE. Look, when reading a query, and I got to the housekeeping and saw the genre that you assigned your book? If it was something crazy, off the wall that I'd never heard of? I passed. Because you should know enough about your genre, be widely read enough, to know what your book is. And none of those ARE. (Also, those are made up examples.)
  • Word count matters. Look, I get it. You have an EPIC and the amount of words that takes is...well...EPIC. But when I had my list narrowed down and I was trying to decide which to mentor, word count mattered. 353K is not reasonable. And just like too high is a red flag, so is too low. I beg of you--go find Jenn Laughran's blog and read her post on word count*. And then read the one on genre*. And then bookmark both. 
  • Sometimes, the choice comes down to not which one I like, or even love, but which one I think will gather agent interest. There were a lot of subs to love in this contest. Too many to take, obviously. And when it came time to weed out, I had to look at that. Again, hearing 'there isn't a market' from an agent might suck--and they might not even say that to you--but it's also true and something to be aware of. 
  • While there were a LOT of great subs, there were some standout applications that...well, need work on their query. It rambled, or told me what the book would teach me or what it was about without ever telling me the story. None of those things interested me. At all. All I want--all an agent WANTS--is a good story. Deliver that, and your golden. 

The best thing about Pitchwars, though? The community. I've connected with writers on Twitter who are so awesome and down to earth, people I am so excited to see succeed. Mentors and contestants alike, it's an amazing community to be in and I'm so glad that this has reaffirmed that for me. And no--not everyone got chosen for a team. Not everyone COULD. 
But if you connected with someone--ANYONE--or learned anything at all, even if it's just letting go and putting yourself out there, which is so hard to do--well, than you won. And that's by far the BEST thing about Pitchwars.

So huzzah, and congrats to mine and Liz's teams and come back soon--I think we're going to have a query workshop sometime in January. :)

N~



*Jennifer Laughran's Word Count Dracula
**Jennifer Laughran's Big Ol' Genre Glossary

Tuesday, December 4, 2012

Pitchwar AGENTS! :)




Pitch Wars ... the agents!





Are you ready for this? We have 16 incredible agents vying for our Pitch Wars team manuscripts. We're so excited to see what pitches they fall in love with, and what teams will win the coveted Pitch Wars Most Requested Manuscript title. 

And, in no particular order, here are the agents...

Louise is seeking teen Sci-Fi and Young Adult horror.  She's also on the hunt for deep, dark contemporary YA and select Middle Grade fiction with a literary feel--it must be realistic and thought provoking and the characters must be authentic and original. Louise loves horror and romance, especially Regency and Victorian.





Jessica Sinsheimer
Twitter: @jsinsheim 

Jessica is seeking Literary, Women's, Middle Grade, and Young Adult Fiction.


 



Twitter: @Natalie_Lakosil 

Natalie is looking for commercial fiction, with an emphasis in children’s literature (from picture book-teen), romance (contemporary, paranormal and historical), and upmarket women’s fiction. Specific likes include historical, multi-cultural, paranormal, sci-fi/fantasy, gritty, thrilling and darker contemporary novels, and middle grade with heart. 


Twitter: @BookaliciousPam

Pam represents young adult and middle grade children’s book authors, and adult romance authors. 

Twitter: @bluedragonfly81 

Jordy is on the look out for Romance (contemporary, historical/Regency, and paranormal). YA contemporary/historical or dystopian, sci-fi/fantasy with romance elements. She's also open to YA GLBT within those genres. She'd love to see unique, well-developed plots featuring time travel, competitions, or travel.


Twitter: @andreasomberg 

Andrea's looking for the following categories: Fiction; literary, commercial, womens fiction, romance, thrillers, mystery, paranormal, fantasy, science fiction, young adult, middle grade.




Jennifer Mishler
Twitter: @literarycounsel 

Jennifer is seeking Young Adult Fantasy, Young Adult Contemporary, Young Adult Literary, and Young Adult Historical. 




Suzie Townsend
New Leaf Literary & Media, Inc.
Twitter: @sztownsend81 

Suzie represents adult and children's fiction. In adult, she's specifically looking for romance (historical and paranormal), and fantasy (urban fantasy, science fiction, steampunk, epic fantasy). In Childrens' she loves YA (all subgenres) and is dying to find great Middle Grade projects (especially something akin to the recent movie SUPER 8).

  

Victoria Marini
Gelfman Schneider Literary Agents, Inc. 

Victoria is looking for literary fiction, commercial fiction, pop-culture non-fiction, and young adult. She is very interested in acquiring engaging Literary fiction and mysteries / suspense, commercial women's fiction (romantic suspense, sci-fi, fantasy), and Young Adult (contemporary, sci-fi/fantasy, thriller and horror ).



Kerry is looking for Young Adult and Middle-Grade fiction, both commercial and literary. She tends to shy away from werewolves, zombies, faeries, and the like, but she’ll read anything with a fresh voice and compelling characters. She is particularly keen on contemporary YA, quirky MG, books with a strong cinematic element.  




Drea is currently seeking: fiction, memoir, crime, non-fiction and YA. Her roster consists of British, American, and Canadian clients. International talent is welcome. 




Katie Shea

Katie specializes in fiction and memoir, especially women’s fiction and commercial-scale literary fiction, and realistic YA.  She is most interested in coming-of-age stories and stories of unique relationships.


 Elise Capron

Elise is interested in serious character-driven literary fiction, well-written narrative nonfiction, and short story collections. (Note: She is not interested in Fantasy, young-adult/middle-grade, picture books, romance, and sci-fi.) She aims to work with writers who have a realistic sense of the market and their audience.



Jodell is interested in YA, MG (especially funny) , fiction and nonfiction, book proposals, and picture books. She will also coach writers wanting to self publish.  She simply loves a well-paced story that moves her between joy and tears.


Brittany and Michelle are teaming up to look for Adult, YA, and MG manuscripts. 


 Michelle Johnson
Twitter: @MJsRetweet 

Michelle’s published one novel, The Footloose Killer, and edited several others for publishing houses and private clients. She also is a Script/Story consultant on an independent film in Halifax, NS, Canada, and enjoys working closely with writers to help them develop their voice and craft.



Brittany Howard
Twitter: @brittanydhoward


When reading, Brittany  loves to be introduced to new and interesting people and places. She looks for strong voice, good storytelling, and fascinating relationships between characters—romantic or otherwise. More than anything, she loves when a book surprises her.




 
There's just one more day to get your applications in for Pitch Wars. Make sure to check out this post here to get all the details.